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If you’re lucky enough to see something truly remarkable, keep your phone in your pocket.
若你有幸看到真正美好的東西,请不要掏出手机.
Here’s a paradox1： we are a people obsessed with visiting the world’s most alluring sites and experiencing the most important events in person； and yet, though we trel more eagerly and easily than ever, fewer of us end up seeing things with our own eyes. Take yourself to any place of beauty, or indeed any event that draws a crowd. Look around for a moment and you’ll see a solemn-faced, dull-eyed crowd with one arm collectively raised in cultic2 devotion. Each hand clutches a phone, and each phone cameos3 as camera. But what makes this Plovian4 response to All Things Worth Seeing so weird is that these he-a-go reporters are focused intently upon their tiny phone screens： even when only metres away, they fail to see the action with their own eyes. Being there no longer means seeing there.
Well, what does it matter if everyone is so keenly playing street reporter? Isn’t it a splendid thing that seemingly every event on the planet is now effortlessly recorded by anyone with a phone? Not at all, I’d say. Now and then, we do of course benefit from the quick-thinking filming of some exceptional event that would otherwise he no objective record. But these videos that succesully extend the scope of institutional reporting are a tiny fraction of what’s being recorded every hour, every minute, every second worldwide.
Instead, we are paying a price for this perverse5 practice. Here are three sad—even disturbing—effects of our filming fetish6. First, phone-wielders establish a boundary between themselves and the events unfolding,
tranorming them from present witnesses to mere closer-than-thou screen-gawpers.7 Since their eyes fail to see the action unmediated8, they are in some senses not really there at all. People boast at being at that gig9, or seeing the actual Mona Lisa at a few yards’ remove. But the digital proof they shove in your face ends up confirming that they, just like you, instead squinted at these spectacles through plastic.10 In thinking of their film’s future, the present moment passed them by.
Second, these ubiquitous recorders of all and sundry seem to he forgotten the purpose of what they are up to.11 You do he to wonder what all their data-collection is for. Millions of hours of footage, billions of photos； even the internet can’t keep up with the surging surfeit.12 What secondary audience needs 20,000 versions of oblique, wobbly and tinny footage of an event already being filmed professionally?13 Or take Cambridge, where I live. Thousands of tourists stream each day from their coaches, snaking up the medieval streets. A good portion are filming their movements continuously： a bin here, a bench there, the occasional passing bus. Yes, wonderful architecture flits onto camera now and then, but these are rare interruptions of otherwise （literally） pedestrian fare.14 Perhaps there is an audience back home that will strap in for six hours of footage per diem； but, even if there is, their host won’t be able to give any wider context beyond what he, like they, saw through this paltry,15 often pointless, window into the world.
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众包平台猪八戒融资26亿人民币，凭什么
定位为“创意服务类淘宝”的众包服务网站猪八戒近期宣布完成C轮融资，从私募股权投资机构赛伯乐及重庆北部新区产业投资基金处各融到16亿元及10亿元人。
风停了，小米会掉下来吗
小米的风险是快速，这也可能是小米商业模式所必须付出的代价高禄峰说，他听到小米时的第一反应是害怕。那是2014年初，他所在的一家平衡车公司Nin。
课堂上禁用手机拍摄
自从有了电脑，人们用手写字的机会就越来越少了。现在不少学生在课堂上用手机拍摄教学内容，不想用笔记。但很多世界知名的大学有明确规定，课堂上禁止用手。
超六成初创公司死掉，是因内讧
据粗略估计，从今年6月份到11月初，笔者身边的创业公司发生合伙人争斗的有26起，他们内讧的结果也有几类：公司倒闭、投资人清算资产、分道扬镳、。